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An unwanted Valentine

My gift this Valentine’s Day was a positive Covid test. I couldn’t believe it – having avoided the dreaded lurgy for almost two years, two lines were staring back at me. The day was spent under a duvet in front of Netflix and binge watching Emily in Paris. I did get a beautiful single red rose from my husband which cheered me up a bit though.

This year I really wanted to celebrate properly, after last year being in lockdown – was that lockdown part three? I lose track. So, it’s just as well we planned our celebrations for the Saturday before Valentine’s, after all who wants to celebrate on a Monday anyway?

Despite lockdown last year, we did make the best of it and still celebrate with an afternoon tea delivered from Cutter and Squidge in London. I wore a jumper from Oasis with heart buttons on the sleeves and was spoilt with my favourite red roses and some heart earrings from Pandora, so I can’t really complain.

I know a lot of people see Valentine’s as commercialised and so don’t bother to celebrate it at all, but I think any opportunity to celebrate love is worth taking. Having said that I do try to avoid restaurants with set Valentine’s menus, as it is usually inferior food and service at an inflated price.

This year, we did something a little different to the norm. The huge slide at the Queen Elizabeth Olympic Park, ArcelorMittal Orbit, had been on my bucket list for a while and as I can see it from my new office window, I figured it was time to take the plunge. I’ve always enjoyed theme park rides so thought this would be great, until I read that the last part of the slide is corkscrewing in the dark that is! Flashbacks hit me of Space Mountain at Disneyland Paris, aged 13 – the only ride I’ve ever hated.

The slide is the world’s longest tunnel slide at 178m long. There are viewing platforms to take in the views across London before you slide and they are breath-taking. You can see as far as the Shard, the O2 and Canary Wharf. Once up there and seeing the slide, my nerve started to go. There are transparent sections of the slide to take in the views and I was watching people go down. Was I too old for all this now? Did I really want to be doing it? I figured the slide has been there for ten years now (how were the Olympics ten years ago?) so it must be safe and you are only on it for 40 seconds so how bad could it really be?

Anyway our slot came and we put on the head protection and elbow pads and joined the queue. I decided to go first and get it over with and I really don’t know what I was worried about – if anything it was quite tame and I really enjoyed it. My other half on the other hand wasn’t so keen!

Afterwards as we walked round the structure, trying to get a good picture, you could hear people screaming as they came down and we looked at each other and said we were glad we hadn’t heard that before we went on it or we may have chickened out!

We finished the evening with a more traditional celebration – a meal at The Real Greek with prosecco and cocktails!

Cardigan – Oasis

It’s so easy for day to day life to take over and to stop spending quality time with the one you love, so Valentine’s is the perfect reminder to appreciate each other.

Risk it, go for it!

Mary Quant once said “Risk it, go for it.  Life always gives you another chance, another go at it.  It’s very important to take enormous risks.”  That’s exactly what she did in the Swinging Sixties, redefining what it meant to be young and seizing every opportunity that came her way.

The Fashion and Textile Museum’s latest exhibition; ‘Swinging London: A Lifestyle Revolution’ explores the design and the fashion of the Chelsea Set, in particular Mary Quant and Terence Conran, but touching on the work of other designers of the era, who worked with them such as Laura Ashley and photographers of the time.

I visited with my Mum, who grew up during the wonderful Sixties in London.  I often think it must have been a fabulous era to be a teenager in.  Taking Mary’s philosophy of risk, I chose a different outfit to something I would normally wear which also gave a nod to the Sixties/Seventies, along with embracing the current trend of co-ordinates.  The skirt and top were from River Island, the beige mac was M&S (I was channelling my inner Mod here) as well as the orange espadrilles.  The bag I styled it with was also River Island – a great copy of the Dior saddle bag.  I tied in the orange shoes by also wearing orange hoop earrings from Accessorize.  Unfortunately, the risk didn’t really pay off as the outfit was not a great choice for my fuller figure.  Fashion is about having fun and Quant certainly promoted fashion as a game, but we have all had our fashion fails.  Why not share some of yours below?

 

While a relatively small exhibition, Swinging London gives a great overview of fashion from 1952-1977, displaying homewares, fashion, furniture, lighting and ceramics and is very reasonably priced to visit at less than £10 per ticket.  Visit before the exhibition closes on 2 June 2019.

Mary Quant was born in Blackheath, London in 1930 and was instrumental in the Mod and youth fashion in the sixties, along with being one of the designers accredited with the mini skirt and hot pants.  She opened her first shop, Bazaar in Chelsea in 1955 and two years later a second branch, in Knightsbridge, designed by Terence Conran.

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Terence Conran was born in Kingston Upon Thames, London in 1931and started his own design company in 1956, designing a shop for Mary Quant.  He is most famous for the household and furniture store, Habitat, opening the first branch in Chelsea, London in 1964.  Involved in other retail businesses, along with architecture and interior design; more recently he is known for a number of London restaurants which he has created.

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The below photo shows the co-ord set designed by Quant in 1965.  The design of the fabric was a textile from Liberty of London, originally an early twentieth-century block-printed fabric, which Liberty converted to a screen-print.  The ‘Sgt Pepper’ coat is by Michael Mott for Paraphernalia, a leading boutique in New York who acknowledged the influence of Mary Quant and her boutique.

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The shoes below, came with a carry bag and are from a 1967 range by Quant when she collaborated with G.B. Britton – a work boot manufacturer.  They proved to be unpopular, given that like wellies, they were too hot and sweaty in summer and too cold in winter.

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Part of the exhibition was Elizabeth Suter’s sketches which captured the designs from the sixties catwalks.  What makes these sketches all the more brilliant is that they were drawn mainly from memory, as sketching during the shows was not allowed.  These were captivating and showcased such a wonderful talent.  I would love to have some of these framed on my walls at home.

Following the exhibition, Mum and I explored some previously unvisited corners of Bermondsey and discovered a lovely parade of cafes and shops which included Kat Maconie the shoe designer and London Glassblowers where they display glassblowing as well as selling signed decorative pieces by Peter Layton.  We went on to discover Vinegar Yard, an urban garden and street food market that has pop up shops selling vintage clothing, antiques, records and art, amongst other things.  Vinegar Yard only opened in April this year and you can’t miss it, due to its art installation of a train carriage with giant ants crawling over it.  Artist Joe Rush created the ants and has a working studio within the yard.  Just round the back of London Bridge station, this is a classic example of what I love best about our Capital, there is always something new to discover around the corner!

We finished the day in the vibrant Borough Market with lunch at Fish! which served delicious fish and chips in the heart of the market.

We had a lovely day out, proving that South London has just as much to offer as the more central and traditionally tourist parts; after all Mary Quant herself was a South London girl!

Why not take a leaf out of Quant’s book and take a risk, after all when you die you always regret the things you didn’t do.

J’adore Dior

When I think of Dior I think of femininity, luxury and class.  When Dior launched his first collection in 1947, he created The New Look – the hour glass silhouette.  The press dubbed the collection The New Look because of its revolutionary nature.  In contrast to wartime boxy styles, his designs emphasised the curves of the female body.

Born in 1905, Dior retrained as a fashion artist in 1935.  Tragically, he died of a heart attack in 1957, just ten years after the launch of his first collection, however the legacy left by Dior continues to inspire some seven decades later, through the six artistic directors that have succeeded him in the fashion house.

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The V&A’s biggest fashion exhibition since Alexander McQueen: Savage Beauty in 2015 Christian Dior: Designer of Dreams, has been a sell out for the London Museum, leading them to extend the exhibition for a further two months until 1 September 2019.  The exhibition was inspired by the Christian Dior: Couturier du Rêve in Paris and also explores the designer’s fascination with British culture.  Dior is quoted as saying: “There is no other country in the world, besides my own, whose way of life I like so much.”  He was fascinated by England’s great houses, ocean liners, Savile Row tailoring and royalty.  He often showed his collections in grand country houses, such as Blenheim Palace in 1954 in aid of the British Red Cross.

I had long anticipated the release of tickets for this exhibition and finally got to visit in March with my friend.  For the visit I wore a red t-shirt from Topshop with J’adore on the front to emulate an actual Dior t-shirt worn by Carrie Bradshaw in Sex and the City Movie 2.

I paired the t-shirt with a black satin, bias cut skirt from New Look.  A similar skirt produced by Topshop was an Instagram sensation and therefore a sell out.  The weather still being somewhat chilly, I also wore my trusty New Look faux leather biker jacket that is one of my go to pieces.  To really set the outfit off, I wore black suede heels that I purchased in Belgium some years back and accessorised with an Asos bag which I thought had a look of a Dior saddle bag and actually appeared in Fabulous magazine sometime after I had purchased it.  The only true Dior I wore was my mascara, Diorshow which I can’t rate highly enough.  A lady on the tube commented on how beautiful my shoes were but after a whole day in London in them, I can assure you I was using a rather different word to describe them!

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The exhibition has over 500 objects, including over 200 rare Haute Couture outfits, displayed with accessesories, original drawings, perfumes, magazines and photographs.  The exhibition is set out over different themed rooms and is a display of absolute beauty, curated perfectly to take you on the Dior artistic journey.  It looks at where Dior found inspiration for his designs from the eighteenth century, to travel to gardens.

The entrance to the exhibition looks at Dior’s life and then focuses on The New Look, particularly the bar suit, acquired by the V&A in 1960 and considered to be a key piece of his first collection, reimagined subsequently by many artistic directors.

Dior in Britain’s main attraction was the dress designed by Dior for Princess Margaret to wear in her 21st birthday portrait in 1951.  Dior said of the princess: “she was a real fairy princess, delicate, graceful and exquisite.  The same adjectives could be used to describe Dior’s own creations.

The next room is historicism and looks at the influence of the eighteenth century on Dior and subsequent artistic directors.

Christian Dior enjoyed travel and took inspiration from art, landscapes and architecture in different countries.  The Travel room looks at how travel inspired his, and future designs of the fashion house. My favourite outfits in the room are shown below.  On the left an Egyptian inspired piece by Christian Dior – John Galliano and part of the Haute Couture Spring-Summer 2004 collection.  This is purely art, if totally unwearable.  On the right, the dress was for the Tokyo presentation of the 2017 Spring-Summer haute couture collection and I just adore this Christian Dior – Maria Grazia Chiuri creation, which with the trailing cherry blossom, encompasses the femininity of Dior.

The next room was by far my favourite, The Garden, and I could have spent hours in there.  It truly felt like a secret garden, which is exactly the feel Maria Grazia Chiuri wanted to create in the Musee Rodin where she displayed her first couture collection, as homage to Dior’s love of gardens.  Flowers influenced both Dior’s designs and his wonderful perfumes.  He would often sketch in the garden and as a boy he loved to study his mother’s plant catalogues.  Dior said: “After women, flowers are the most divine of creations.”  The room was simply magical.  The centre piece gown, seen top right in the below collection of photos is Christian Dior – Maria Grazia Chiuri and part of the Haute Couture Spring-Summer 2017 collection.  The detail is phenomenal with the petal-like decoration created using layers of dyed feathers.

The centre bottom photo of the collection above is a dress by Dior – Raf Simons and part of the Haute Couture Autumn-Winter 2012.  The dress was worn by Natalie Portman as the face of the Miss Dior perfume.  The bottom right picture of the above collection shows to the far right a dress by Christian Dior – John Galliano, which was part of the Haute Couture Autumn-Winter 2010 collection  and is hand painted silk, clinched at the waste by a green bow representative of garden twine.

The Ateliers room demonstrates how test garments are made in white cotton fabric so the fit and shape of the design can be checked before making it in the actual fabric and adding embellishments.

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The exhibition concludes with The Ballroom which was where Dior could really allow his imagination to run free and showcase extravagance.  Dior once said that: “evening clothes are the most glamorous and fascinating things a woman can have as the evening is the time when you escape the realities of life.”   This room was really atmospheric with relaxing music and lighting moving it between day and night.

The dress to the bottom right of the collection above is Christian Dior and part of the Haute Couture Autumn-Winter 1949 collection was embroidered with thousands of shimmering sequins and has to be one of his stand out pieces.

The final dress we see is the below creation by Christian Dior – Maria Grazia Chiuri and was part of the Haute Couture Spring-Summer 2018 collection. The inspiration for the dress was an original 1950 hand-painted fan by Christian Dior, held by the mannequin.  Having his signature embroidered in the skirt is symbolic of his lasting legacy.

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If you can get to the exhibition, I highly recommend it.  Additional exhibition tickets will be released on the 15th day of each month for the month ahead and limited tickets are available to purchase daily at the museum on a first come, first served basis.  Dior remains one of the greatest designers and his creations are often seen both on the red carpet and in the fashion magazines.

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The shop at the V&A also has an impressive range of books on the designer and souvenir drawings, photos and stationery from the exhibition.

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Sadly my finances will probably only ever extend to the makeup and perfume of the fashion house, but his influence can often be found in high street designs.  He was a true God of the fashion world.  Long may his legacy continue.

Hearts and flowers

First thing on a Sunday morning, London is like a ghost town, quietly waiting for its admirers.  A short walk from Old Street tube station, takeaways and bus routes give way to older streets with more historical buildings and over sized greenery seems to be heading towards us, as people struggle home with a new pot plant or two.  Where are we heading?  Columbia Road flower market.

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The flower market began as a Saturday market but was later moved to a Sunday to accommodate a growing number of Jewish traders, for whom Saturdays were a day of rest.  Moving it to a Sunday also allowed traders from Covent Garden and Spitalfields to sell off stock left over from Saturday trading.  Following a demise in the seventies when there were suggestions of demolition, the locals fought to save the market and the surrounding Victorian shops and since then it has gone from strength to strength.  The market now attracts people from around the world and as well as being a great place to pick up a cheap bunch of quality flowers, or a pot plant to transform that awkward corner of your home, the market also appeals to photographers and film makers.

The market is a feast for all the senses, with flowers in every colour of the rainbow available, their sweet scents filling the air, blending with the waft of freshly brewed coffee coming from the many cafes.  The day we visited, the air was filled with the sweet scent of lavender.  The second or third generation market traders call out their deals in cockney accents and there is a general hubbub as people squeeze their way along the stalls.  Music can also be heard from the street buskers.

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When you have had your fill of the plants, the Victorian shops behind offer vintage crockery, gifts and art.  Then it’s time to chill in one of the cafes.  We accidentally stumbled into a vegan cafe and I can tell you a vegan pain au chocolat doesn’t quite hit the spot, but I did feel like a hip east Londoner!

My husband bought me the most gorgeous roses which lasted way longer than your average bunch, despite being carted round London with me for the rest of the day.

It might mean an early start but the market is well worth a visit on a Sunday morning.

This was Valentine’s weekend and so after the historic market, we headed to the modern Shard to experience the view from the top, whilst sipping champagne.  I of course dressed themed for the weekend, in a top with hearts on the collar, paired with skinny jeans – both Oasis and complimented it with red ballet pumps by Mauro Leone purchased in Milan and a red heart bag by Floozie.  I wore my trusted faux leather jacket from New Look as despite the sun, it was a chilly day.

At the beginning of any romance, it’s all hearts and flowers but once you have been together a few years, that all falls by the wayside, only to be replaced with the day to day routine.  It’s important to still appreciate each other, so this year we decided to celebrate Valentines Day like we did in the early days.

The trouble with going out on Valentines is you are usually faced with an overpriced fixed menu and crammed in so tight that you virtually bash elbows with the person next to you every time you lift your fork to your mouth.  Maybe we have just been unfortunate with our choices in the past, as this year we booked our local restaurant, Eight and although it was a set menu – the price was reasonable and we were in no way crammed in.

I wanted to get proper dressed up, just as you do in the first flourish of dates.  I decided to embrace this year’s animal print trend and wore a jumpsuit from Oasis with some red wedge LK Bennett sandals.  I even had my nails themed for the day.

Rather than just cards this year, we also did gifts.  Men being notoriously hard to buy for, I got my husband some clothes from Superdry.  He got me the best kind of chocolate – one that doesn’t get you fat!  Have I discovered the holy grail I hear you ask?  No just some fantastic eyeshadow by Too Faced that is scented with chocolate!

Love comes in many shapes and forms and needs to be nourished.  Many of us spend the best years of our lives searching for our Mr Darcy, just like Bridget Jones.  When we find him though, do we forget to appreciate what we have and take it for granted?

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At the location used as Bridget Jones’ flat in the films

Along with romantic love, one of my other great loves is London.  It is such a fusion of all the cultures and traditions of the world.  It doesn’t matter how many times you visit, there is always something different to see and old and new blend together seamlessly.  I particularly like the creativity it unleashes.  A wander along the Thames from London Bridge to Blackfriars is made all the more beautiful by the entertainers.  This particular day, there was a poet, typing you an instant poem on an old typewriter and a bubbleologist.  A painting by Jimmy C of Shakespeare reminds us that London’s relationship with culture and the arts dates back centuries.

London’s people are what makes the city so wonderful and we all pull together when our centre of multiculturalism is threatened by extremists.  The love Londoners have for each other is perfectly depicted in the street art of hearts created in Brough Market by the artist Jimmy C following the terror attacks there in 2017.  Each heart represents one of the eight people who lost their lives that night.  There is so much hate in the world but ultimately love will conquer all.

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Practically perfect in every way

The release of Mary Poppins Returns, a sequel to the original sixties made film, coincided with shops releasing some fabulous merchandise.  A new generation has been introduced to the magical nanny and Disney has shown it can move with the times.  A little less magical than the original, the film is still escapism at its best.

Given my love for afternoon teas, I couldn’t resist a visit to The Shard who are offering a Mary Poppins themed afternoon tea.  My husband was reluctantly going to accompany me, until he broke his toe, so Mum kindly stepped in and my husband treated me to a Mary Poppins Pandora charm as an apology; so all’s well that ends well!

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I wanted to wear something that had an air of sophistication and a nod to a previous era, words which could also describe the film.  I decided a boucle jacket would fit the bill perfectly and saw a gorgeous one from Sister Jane but, unfortunately they are a sizest company and don’t go up to fat bloater size – so that was out!  Luckily I found just the one in Marks and Spencer.  I paired this with skinny jeans from Oasis and a plain white t-shirt.  I accessorised with red Sarah Jessica Parker heels, a red ‘Mulberry’ clutch and a geometric silver necklace from V&A museum.  The real piece, that set off the outfit, was a handmade large oval brooch depicting Mary Poppins’ tape measure and the slogan ‘practically perfect in every way.’  I purchased this online at Etsy, from a store called Shrinking Violet Jewellery, which I highly recommend.  The product was excellently made and delivery was fast.

 

After clearing security, the lift took us up 32 floors to the restaurant area of The Shard and we made our way to Aqua Shard – the restaurant offering the tea.  The corridors along the way have some wonderful illustrations depicting the map and sights of London.  As we were early we had a drink in the bar and took in some of the stunning views across London.  I noticed that some of the tables for tea had a window view and hoped we would get one, but was doubtful.  However I was pleasantly surprised when we were ushered over to one.

 

Many people would probably think the cost for this tea (almost £75 including tip) was over the top, even by London standards, but the theme was done fantastically and we couldn’t have asked for a better view or a more pleasant afternoon.  Goodness knows what it feels like to go up as high as the viewing platform as even on this floor, I was looking down on the roof of my old office and the trains looked like toys!

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A mirror was handed to us that had the menu printed on it and all the crockery on the table was Mary Poppins illustrated.  Our glass of champagne (which was so smooth, you could tell it was a luxury one) was delivered to us and we had the choice of adding a flavour to it, which were in medicine like bottles on the table.

 

The tea stand itself was even themed with Mary Poppins umbrella on the top and her boots as the feet.  A tray of sandwiches was brought over while the stand was full of delicious sweet treats, including one that resembled Mary Poppins hat and a very novel tin containing a syrup desert.

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At this point, I was concerned that the key component of an afternoon tea was missing – the scones.  I need not have worried though as a rather handsome waiter arrived at our table and pulled a paper bag with them in, from a Mary Poppins carpet bag.  It was the icing on the cake.

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To finish off the fabulous tea, the final course was candy floss!  Talk about take you back to childhood!

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After all that we were both stuffed and had spent a wonderful afternoon having mother/daughter time and catching up.  By the time we left, darkness had enveloped the sights of London and we could observe all the pretty lights.

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If you wanted to take some of the magic home with you, there was an opportunity to purchase a Mary Poppins book and themed tea leaves on your way out.

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I highly recommend this tea for all Mary Poppins fans.  Escape reality for a few hours and be spoilt in a beautiful restaurant with an even more beautiful view – practically perfect in every way!

VIP for the day

One of the A-list events in the calendar for me now is Stylist Live.  It is an annual three day event that brings to life everything sassy, affluent female commuters, in London and other major UK cities love about the free, weekly magazine – Stylist.

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Stylist being distributed at Southwark tube station

On my way to Olympia for the event in November, I was admiring a ladies skirt on the tube and then realised I might look a bit odd starring at her so struck up a conversation.  Turns out she was off to Stylist Live too and the fabulous skirt she was wearing had been designed and made by her.  Check out more of her great designs by following her on Instagram @luxefromclare

I always like to make an effort for these sort of events to at least try and look like a stylish, sophisticated woman so I wore black leggings from Oasis with a Kookai blouse and New Look biker jacket, paired with my suede stilettos with tassels on from New Look and Oasis cross-body bag.

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This year my best fashionista friend and I opted for the VIP tickets and I am so glad we did.  While last year was good, this year was on another level.

On arrival we were filtered into a special queue and within the VIP lounge, there was plenty of space to relax and a separate cloakroom from the other ticket holders which saved the long queue at the end of the day.  Your ticket included a free go on the vending machine of dreams which despatched a pack of Candy Kittens gourmet sweets and if you were lucky some great prizes ranging from Warehouse vouchers to a holiday.

Included in the VIP ticket are unlimited snacks, lunch and soft drinks.  We had the macaroni cheese which was to die for and a Bol salad so we felt a bit more healthy!  A glass of prosecco and a gin are extra freebies alongside the complimentary Gordons premium pink gin all ticket holders receive, and most importantly a we received a goody bag worth £150.

The goody bag more than paid for the VIP entrance cost and included some full size products as well as a number of sample sizes.  My favourites include a travel tangle Teezer, NARS lipstick, Jack Wills socks and some clear telephone cord hairbands.

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As if all of this wasn’t enough, a treatment in the beauty rooms was also included with our ticket.  There was a choice with a choice of either Shiseido, bareMinerals, NARS, Laura Mercier or Buxom.  My friend chose the Shiseido which was a cleanse and moisturise session that she enjoyed and I treated myself to a NARS Fashion Week Supermodel Eye.  I have to say, it was quite a transformation but despite them writing down all the products they used and where to put them, I doubt I would be able to flawlessly recreate it.  Afterwards you had access to a dressing up box and a short catwalk so they could create a GIF and email it to you.

More than 250 boutique pop-ups were at the event, providing a range of free beauty treatments, hair styling and shopping opportunities.  I was a little disappointed at the length of the queues for some of the hair styling but the range goods for sale was fantastic, encompassing well known brands such as Spectrum, BaByliss, Fresh and Pixi with emerging newer brands such as Yull shoes and Mean Mail.  My favourite pop-up was Kikki K, the Swedish design stationery brand which a friend at work got me into a few years back.  Its founder, Kristina Karlsson was at Stylist, signing copies of her new book, ‘Your Dream Life Starts Here’.  I was star struck getting to meet her and I hope by reading her book, I am inspired to get on the road to living my dream life.

Talking of inspiration, there were plenty of inspirational talks throughout the weekend and one I found particularly useful was from the Physiologist DR Nerina Ramlakhan who gave practical advice on how we can all get a better nights sleep.

The catwalk show is always one of the best parts of the day for me and being VIPs, we got reserved front row seating to watch the best of the autumn/winter 2018 trends.  Leopard print has made a big come back along with trends of bold, earth tones and cowgirl.  I particularly like the fact that all the clothes are high street and you are given a sheet detailing each look, so it is easier to go and shop for the looks you like the best.

By the end of the day, my friend and I were both shattered but it had been such an enjoyable day.  We will definitely be returning next year and I urge all you fashionistas to read Stylist magazine and look out for tickets going on sale for 2019 Stylist Live event.  To watch a short highlights video of this year’s event (very excited as it’s the first video I have made and edited) check out my Instagram @blahnikgirl

Tale as old as time…

How many times have you looked in the mirror and thought, if only I were slimmer, younger, prettier?  We all do it, more so as we are living in a society where the likes of Instagram have made everything about appearance, not to mention the fact that cosmetic manufacturers, diet guru’s and cosmetic surgeons make a living off the back of our insecurities.  It is not until you get into your thirties though, that you begin to accept yourself and realise “Beauty is found within.”  This may sound strange coming from someone who adores clothes, shoes and make up but at the end of the day, it doesn’t matter how you dress someone up, their character and heart is what makes them beautiful, or not, as the case may be.  Disney has encapsulated this thinking in Beauty and the Beast, whether you are talking of the 1991 Disney animation or the 2017 live action picture, staring Emma Watson with a fabulous enhanced soundtrack.

I always love a good Disney movie and the recent remakes have made me nostalgic for those times when I believed fairy tales came true.  I therefore couldn’t contain my excitement when I heard that The Kensington Hotel was hosting a Beauty and the Beast themed afternoon tea.  My excitement was short-lived however when I discovered that every date had been fully booked.  Luckily for me though, they released further dates due to the popularity, so after almost a year’s wait, I finally got to go.

Upon arrival, we were ushered to our table, past a rose in the bell jar and each table had been dressed with a red rose and biscuits decorated with marzipan to look like Belle’s dress.  Champagne was brought to us, along with tea and coffee.

The amount and variety of food at this tea was fantastic and they had gone to great lengths to theme as much of it as possible.  The tea began with warm savouries which included bite size venison pie, beef ragu and saffron arancini and cheese souffle, served on a plate garnished with rose petals.  We then moved onto sandwiches, which the staff were happy to replenish.  Instead of scones, there were sweet brioche baguettes to fit in with the scene in the movie, where Belle goes to purchase baguettes from Marie.

The sweet tier of the cake stand, always my favourite, was where the theme really came to life and included, white chocolate mousse served in chip, vanilla and gold jelly complete with rose petal, and cream to garnish it, served in Mrs Potts, a snowball macaron and a chocolate clock tart.

What made the whole tea all the more Instagram worthy were the Cogsworth and Lumiere props they brought to the table.  The only thing that let them down here was the fact that they didn’t have enough of the props to go round and therefore they took them to use for another table before the end of the tea.

I chose my outfit for the day to fit in with the enchanted rose element of the movie and wore a black midi dress with rose print from Miss Selfridge and completed the outfit with pink suede shoes from Oasis and a pink cross body bag.  I accessorised with a beauty and the beast necklace from the Disney Store by Danielle Nicole.  My hair was loosely based on a Belle hairstyle, that I found instructions for on YouTube.  My perfume was a Beauty and the Beast one from Marks and Spencer.

Beauty boxes and subscriptions to them are currently very popular with Glossybox and Birchbox being two of the most famous.  While I love the idea of getting a box full of beauty surprises each month, I am not keen on being tied into a subscription and also there will inevitably be products you don’t use.  However last year when the new film was released, I couldn’t resist this one off, subscription free, Beauty and the Beast themed box from Latest in Beauty.  The box included Burt’s Bees lipstick, Caudalie moisturising sorbet, a gold compact mirror, Gold Lust dry Shampoo, Soigne nail polish, Gatineau exfoliator and L’Occitane rose hand and nail cream.

There is nothing wrong with making an effort with your appearance and enjoying beauty products but always keep in mind that true beauty lies within.  In a world where celebrities are idolised and body image is always a hotly debated topic, shouldn’t every young girl be reminded that beauty isn’t only skin deep?  Let’s hope we all realise that and appreciate what we have ‘before the last petal falls’.

 

 

 

A vintage hen

Rummaging through the vintage chest of drawers, admiring the range of pearls, brooches and head-dress, I felt like a little girl in her dressing up box.  In fact we were transforming ourselves into 1920’s ladies for a themed afternoon tea at Betty Blythe in Brook Green, a short work from Hammersmith tube.

Betty Blythe tea room was the brainchild of Lulu Gwynne.  The name was derived in part from the fact it is situated on Blythe Road and partly an accolade to the twenties silent movie star of the same name.  The venue welcomes walk ins for tea during the week but weekends are strictly bookings only, making it a great unique and private venue for any occasion.

We chose it to celebrate one of my best friend’s hen do, as she is a huge lover of anything vintage.  Once we had transformed ourselves into flappers and the like in the downstairs boudoir, we headed upstairs to be seated for tea.

The waitresses that tended to our every need were also dressed in old-fashioned waitress uniforms and the food was served on a beautiful range of art deco inspired china, with Prosecco we had brought with us, served in traditional champagne flutes.

The food was delicious with classic offerings such a crudities, bread sticks and Waldorf salad as well as the customary sandwiches, finished off with a red velvet cake.

We got everyone to fill in advice cards for the bride to be and as she left the venue, we showered her in confetti.

The venue is stunning, a proper vintage tea room in the middle of modern-day London and a must for any fans of the roaring twenties.  They have been fortunate enough to welcome the likes of Mary Berry through their doors who loved their cakes!  Lulu, the owner has a genuine passion for all things vintage and this shines through in the Great Gatsby inspired venue she has created.  If you leave wanting more, Lulu has also published a book ‘Style me Vintage: Tea Parties’ which gives you the low down on throwing your very own vintage soiree.  As the great Coco Chanel said: “a girl should be two things: classy and fabulous” and you can’t fail to be both after a visit to Betty Blythe’s.

Sailing in luxury

My fast becoming favourite museum, the V&A, is currently running an exhibition entitled Ocean Liners: Speed and Style, until 17 June 2018.

The main draw for me to visit this exhibition was the fact that a piece of the Titanic was included, which has not been seen in Europe since the ship was built. I must confess to having somewhat of an obsession with the fated Titanic’s maiden voyage – not least because of the film starring Leonardo DiCaprio which was released in 1998. As an impressionable, young 14-year-old – I idolised Leonardo and wanted to be as elegant as Kate Winslet. I cried bucket loads when I saw the film at the cinema. Anyone who has seen the film, cannot forget the moment that Rose, laying on a part of the ship and floating in the atlantic, has to let go of Jack. This is what sprung to mind when I saw the wooden panel fragment from the first class lounge of Titanic, the largest remaining fragment from the ship, which was found floating in the Atlantic and is on loan from a museum in Nova Scotia, Canada.  It is in fact what the film’s set designers modelled the floating refuge on.

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I was pleasantly surprised that the rest of the exhibition enthralled me just as much.  The exhibition is very much a show of the luxury that could be found on these ships all those years ago.  People were supposed to forget they were even at sea, as the great ships aimed to replicate first class hotels.

With the introduction of passenger flights in the 1960’s, Ocean liner trade declined significantly until it ceased in 1986 except for transatlantic crossings by the Cunard line shipping company. The cruise trade has boomed however.

The lines are blurred between descriptions of cruise ships and liners, and often the terms are used interchangeably. Liners had higher fuel consumption and fewer windows as their use was to transfer passengers from one point to another whereas cruise ships follow circular routes, sometimes with no stops.

Cruises nowadays are of course more of a relaxed affair – no longer are you expected to dress for dinner every night for example.  While this is good as it opens up the demographic, I can’t help but mourn an era where luxury ruled supreme; especially given that I have always had champagne taste and beer money!

The first room of the exhibition concentrates mainly on poster advertising for the liners.  You then move into a room where various interiors from different ships are mocked up – giving you a feel of the attention to detail, when they were designed with elaborate wooden carvings.  The next room was my favourite as it was very much focused on the fashion and the glamour.

Having enjoyed the exhibition, my Mum and I decided to sample a piece of the luxury, offered by London today.  We went for afternoon tea at Number Sixteen – a high-end hotel in South Kensington.  We enjoyed prosecco, sandwiches, scones and some delightful cakes in the orangery of the mid-Victorian white terrace, looking out on the beautiful private garden.

No girls day out would be complete without a visit to the shops, so we hopped onto the tube to Knightsbridge and visited the home of luxury, Harrods and browsed all the many delights I would love to be able to afford.

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Beauty and the bubbles

Early March means only one thing – time for the annual Glamour Beauty Festival, held at Saatchi Gallery, London!  What could be better than spending the day with a girlfriend, getting pampered and drinking fizz?!

 

I like to get glammed up for the festival and the day prior, I had eyelash extensions applied for the first time.  I was really pleased with the result but sadly they didn’t last long.  I did my hair in a sixties style pony tail with the help of an accessory bought from Pretty Kitty Fashion.  I wore a Biba sweatshirt with a black mini skirt from H&M and a red trench coat from M&S.  The classic trench is seeing a revival this season, freshened up with pops of colour and statement details.  I accessorised with a black cross body bag from Oasis and black patent shoes from Faith at Debenhams.  Those of you who are around my age will remember Faith stores, everyone had their shoes from there at one stage and the obligatory orange drawstring carrier bag with Rin,Tin,Tin on it.  I always had heels that were more than twice that permitted by the school rules!

 

This year’s festival was sponsored by Philips.  Unfortunately I felt it wasn’t quite as good as last year due to the amount of people it now attracts.  Most queues for treatments were quite lengthy which meant that with a morning only ticket, what you could do was limited.  I might have to consider an all day ticket next year.

We started with hair.  My friend queued up at the OGX braid bar but was less than impressed with the finished halo or crown braid which she thought made her resemble Friar Tuck!  I enjoyed watching how to do a dutch braid while I waited, which is when it looks as though the plait sits on the top and is achieved by doing a similar method to the french plait, except that when you take a piece of hair you add it under, rather than over.  Other treatments included having your hair straightened with GHDs as straight hair is back in this season or having a temporary colour put in with Schwarzkopf Live colour spray.

Next we moved on to the nail zone where we enjoyed a manicure with Orly.  This is not a brand I had previously heard of but one I now highly recommend.  Nail varnish rarely lasts five minutes on me before it chips but this lasted almost a week!  There are 36 shades to choose from and I went with rose gold.

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Also on this level there was an option to have a collagen density test.  While this appealed, the queue was too long and I realised I might not get the answer I wanted.  Who wants to know that their skin is ageing faster than they should be?  That was bound to be the result, given they were demonstrating Pure Gold Collagen, a 30 day programme of drinks to plump your skin and improve hydration.  I didn’t fancy a taster of the drink but my friend’s face when she tried it said it all!

All that queuing had caused us to work up a thirst, so we headed to the champagne bar.  This was surprisingly reasonably priced and they would hold on to the bottle to save you carrying it and you could just go back for top ups.

Something a bit different this year was an Alcatel instagram zone where you could perfect your instagram photography skills with various products and props.

I was desperate to have my eyeliner done by Kat von D; either graphic liner or a feline flick but having queued for an hour and being about five from the from the front, I had to abandon it as it was time for our booked talk in the Glamour theatre with Wendy Rowe.  Other more well known speakers were Katie Piper, Trinny Woodall and Pixie Lott, however they were either in the afternoon session or fully booked.

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Wendy Rowe is a renowned make up artist who has worked with the likes of Cara Delevigne.  She has worked with Burberry on their runway shows for over 15 years and is artistic consultant for their cosmetic range.

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The best part of the day in my opinion and what makes the tickets great value for money is the goodie bag, containing products worth over £180.  This year’s bag was a trendy rose gold and some of the best freebies inside included a Fresh rose face mask, Kat von D tattoo liner and of course the Glamour Beauty Book SS18!  Since Glamour went online only this year, twice a year a beauty book is released in print to coincide with the two fashion seasons.  I keep being told in my professional life that digital is the future but I take issue with this.  I still don’t think you can beat the joy of leafing through a glossy mag, particularly when you might not have internet access, on a plane for example.

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The festival is a fantastic way of trialling new products as well as a fab girls day out – I highly recommend it.  See you next year!